Fri Jul 13 09:20:58 EDT 2007
ABSTRACTS IN ECONOMIC HISTORY
(c) 2007 EH.Net
-----------------------------------------------------------
Name: Gerben Bakker
Email: g.bakker at lse.ac.uk
Institution: London School of Economics, Economic History Department
Co-author:none
Title: The Evolution of Entertainment Consumption and the Emergence
of Cinema, 1890-1940
Internet Address of abstracted work:
http://www.lse.ac.uk/collections/economicHistory/pdf/wp102.pdf
By mail:
Department of Economic History
London School of Economics
Houghton Street
London WC2A 2AE
Language: English
Abstract:
This paper investigates the role of consumption in the emergence of
the motion picture industry in Britain, France, and the US. A
time-lag of at least twelve years between the invention of cinema and
the film industry's take-off suggests that the latter was not mainly
technology-driven. In all three countries, demand for spectator
entertainment grew at a phenomenal rate, far more still in quantity
than in expenditure terms. In 1890 'amusements and vacation' was a
luxury service in all three countries. Later, US consumers consumed
consistently more cinema than live, compared to Europe. More
disaggregated data for the 1930s reveal that in Europe, cinema was an
inferior good, in the US it was a luxury, and that in Europe, live
entertainment was just above a normal good, while in the US it was a
strong luxury. Comparative analysis of consumption differences
suggests that one-third of the US/UK difference and nearly all of the
UK/France difference can be explained by differences in relative
price ('technology'), and all of the US/France difference by
differences in preferences ('taste'). These findings suggest a strong
UK comparative advantage in live entertainment production. Using
informal comparative growth analysis, the paper finds that cinema
consumption was part of a large boom in expenditure on a variety of
leisure goods and services; over time, by an evolutionary process,
some of these goods, such as cinema and radio, formed the basis of
dominant consumption habits, while others remained relatively small.
The emergence of cinema, then, was led to a considerable extent by
demand, which, through an evolutionary process, was directed towards
increasing consumer expenditure on spectator entertainment.
Bibliography: Bakker, Gerben. "The Evolution of Entertainment
Consumption and the Emergence of Cinema, 1890-1940." London School of
Economics, Economic History Working Paper No. 102. 2007.
Subject: B, F, X
Geographical Area: 4, 7
Country/Region: Britain, France, United States
Time Period: 7, 8
-------------------------------------------------------
Visit the library of Abstracts in Economic History or submit your
abstract at: http://www.eh.net/abstracts